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- Currently hanging on my wall to remind me that I need to make stuff as well as read stuff.....I picked up this lovely old book (1st ed 1935, this reprint 1953) when I was at Hardwick Hall last week. £2 from their 2nd hand bookshop!! I love old sewing books and this one has some beautiful illustrations. I'm always on the lookout for old sewing books, do you have any favourites to recommend? 🪡Inspiring contribution to #thepeopleswardrobe from @shelly_sews how gorgeous is her 27 year old jumper?! Here's how she describes it:Another fab day yesterday working with Fashion 1st years @artanddesignshu thinking about longevity, favourite clothes and doing some nice slow hand stitching to let our minds wander....🪡
Tag Archives: sheffield
Well hello, it’s been a while hasn’t it?!
I hinted that I might be doing more sewing classes again once I’d moved to Sheffield and here are my first two workshops now open for booking at Sew In The City (contact Sew In The City direct to book your place, use the link in the class description below):
Kate Brookes is a sewing blogger based in Sydney Australia, but she’s originally from…..yes, you guessed it, Sheffield!! All good things come from Sheffield!
She’s now written a lovely review of them which includes some Sheffield nostalgia, sewing, squeezing a pint out of a half pint pot (in fabric terms) and inspiring one of her 11 year old sewing students to also make a Brightside Shrug!
It’s a great read, have a look.
Sheffield has been a centre for manufacturing various forms of “blades” since the 14th century thanks to the many hills, valleys and rivers powering its industry. Stainless steel was actually invented in Sheffield and you’ll still find a large percentage of your cutlery will proudly state “Made in Sheffield”.
Ernest Wright is one of the last remaining traditional scissor manufacturers in Sheffield and is a family run business that has been hand making scissors since 1902. As a Yorkshire lass who hails from Sheffield aka the “Steel City” and home of the scissor, I was really happy to meet Nick Wright of Ernest Wright Ltd at the Knitting & Stitching show at Alexandra Palace in October. The original Ernest Wright was Nick’s great grandfather. I kept Nick chatting for far too long at the show and he invited me to go and have a look around the factory the next time I was in town. So, recently I was in Sheffield and finally went for that long overdue visit. Here’s what I found….
OK, so down to the nitty gritty,
HOW ARE THESE THINGS MADE?!
Let’s start with a quick whistlestop tour of a pair of scissors:
When are scissors called shears? This is a question I have been pondering as fabric scissors are often called Dressmaking, Fabric or Tailor’s Shears. Well, apparently when scissors are bigger than 15cm they become shears!
All Ernest Wright scissors (and shears!) start with a forged Sheffield steel “blank”:
a kind of rough and ready scissor shape that needs to be refined.
The first step in achieving this is…… ….the rumbler! Where the scissor blades are rattled around with tiny super hard pebbles (of I forget what material!) overnight to remove the rougher parts from the blanks. Next, a bit of grinding is required, first by machine:
After the machine grinding, some finer grinding is done by hand:
These grinding wheels literally get ground down over time and shrink in diameter. This process puts the sharp cutting edge onto the blades.
Every part of the scissors is hand worked, including the insides of the handles (or bows):
The last stage of the process lies with the “Putter”. The job of the Putter is extremely skilled and it actually means the “putter-togetherer” ie. the person who finally assembles the scissors.
Here’s Cliff, Ernest Wright’s most charming of Putters:
Cliff’s job involves assembling the scissors and hammering the perfect curve onto each scissor blade. I’ve made that sound way easier than it is – it’s a highly skilled job which takes years of training to master and watching Cliff work is an absolute pleasure. You can also watch him in this film by Shaun Bloodworth.
Cliff’s hammer, worn down over the years to fit his thumb and the precise angle at which he works. I love tools like this that tell their own story in the marks left by the craftsperson using it.
The curve and the setting of the blades by the Putter are what gives handcrafted scissors the ability to cut along the full length of the blade, forever. When the scissors are assembled they are slightly sprung against each other and if you hold your scissors up to the light you should be able to see a gap between the blades along the length with the tips tightly touching. Only machine made scissors have perfectly straight blades without a gap and they won’t cut at the tips for long once you start to use them.
I’m super proud to be stocking Ernest Wright & Son scissors. If you fancy your very own pair for life, here’s what I’ve got in stock at the moment:
Super sharp embroidery scissors with large bow (handles) making them really comfortable to use. These scissors measure 3.75″ in total including the handles. The ideal thread snips for dressmakers. £24
Wonderful duck-billed scissors variously called Napping or Appliqué scissors. The large blade underneath and the angled handles make these scissors perfect for trimming around appliqué or machine embroidery and for layering and trimming seam allowances without accidentally chopping a hole in your garment! £29
These scissors and shears are only available in person at MIY Workshop, they won’t be going into my online shop and I won’t be able to do them through the post. If you would like a pair, give me a ring at the workshop on 01273 693451 email me on email@example.com or pop in to MIY Workshop at 33 North Road in the North Laine area of Brighton, just up the hill from Infinity Foods.
Not content with having a look around his factory I asked Nick if I could interview him about how you should look after your new scissors. Gent that he is he agreed and I’ll be posting the results soon.
All this current Olympic malarky has reminded me of the final project I did for my A-level in Dress (which I think is now extinct as a qualification) many moons ago.
As Sheffield had hosted the World Student Games that year, it became the focus for my project.
Well even though I was only 18 it wasn’t just drawing pretty pictures, we had to make the damn things too – including drafting our own patterns, after learning pattern cutting for only two years.
Speaking of students and teachers, I believe I owe a lot of where I am now to two very influential teachers of mine.
The first was Miss Cross, my textiles teacher at secondary school. She was an inspiration to me, allowing her pupils to make such a varied range of things in our classes from Care Bears to knitted wall hangings! She had incredibly high standards and expectations and ‘good enough’, was never enough for her. A great grounding for any student. Watching her work always amazed me; fabrics seemed to be under a spell at her finger tips and she made the most fiddly things look easy. She then did me a massive favour by finding me the ideal A-level to enable me to continue in textiles and handed me over to Mary Braddock at Granville College in Sheffield. Mary introduced me to pattern cutting and taught it in such a way that anything seemed possible. I’ve loved it ever since and never come across a better teacher.